Today, Thursday, May 11th Wonders in the Dark will be hosting a 16 day Allan Fish Online Film Festival (Allan Fish OFF), of which I am a part of. The rules are simple; each day will see a new chairman host the festivities and select a film that is available to be watched by anyone, online for free from a popular streaming site (youtube, vimeo, dailymotion, etc.). The host for that day will decide how the film they chose will be presented; an essay, a sparse teaser introduction, or ‘other’ (the creativity seen on the blogosphere for film commentary knows no bounds as we all know). Thus, conceivably the film festival could be nearly real; people anywhere on the globe watching the same film, at roundabout the same time. It’s named in honor of our dear friend and film scholar Allan Fish, whose birthday was May 11th, and will be an annual event from this day forward. He found so many of his treasured Obscuro’s doing just what we’re setting out to do with this Festival, so it seemed the most fitting way to remember him. More information on the festival can be found here, with the first post here.
From here on out I’m attempting to create a poster for every CIFF poster competition that runs during late winter/early spring. Since I just received the notice for the 2017 (due sometime in May) I thought it’d be interesting to post the one I did, and submitted, last year. I didn’t win, but I made it to the final rounds, before ultimately loosing to an Alfred Hitchcock inspired design. Continue reading
When the Museum of Contemporary Art Chicago announced that as part of their hosting Bowie Is, the David Bowie retrospective, they’d be offering area music acts to perform Bowie music (in this case, an entire album) in their Edlis Neeson Theater, November 11’s presentation of Low by Chicago post-punk noise quartet Disappears was, on paper, a perfect synthesis. Bowie’s Low is equal parts atmospheric and straight ahead Krautrock-influenced rock music, highly original for its time and in the subsequent years, incredibly influential. Disappears have much of its modern inventiveness born into their sound, and where differences existed, interesting solutions poised seemingly at the ready. I’d never heard Disappears tackle keyboard parts this much, or covers at all really for that matter, and now they’d have to do both, but you could just feel that the high profile nature of the gig that they’d offer an explosive original presentation.
The show was, in a word, fantastic. When, at the end of the show in the theater lobby, the band announced that if a gig poster was purchased and an email address given they’d offer a sound board bootleg of the performance, this idea grew in earnest. I’d want something to house the performance I’d be eventually given, and thought that it’d be an enjoyable personal project to create something to put it on the shelf in. Continue reading