Part 1 (50-31) can be seen here, while Part 2 (30-16) can be seen here. If you’d like to hear a spotify playlist of my favorite songs off my top 50 in order that they appeared, go here in the spotify app.
Irreversible Entanglements – Irreversible Entanglements
If there was a record this year that really floored me, even if mostly out of being caught of guard, it was this one. It’s nearly a straight avant-garde jazz record, with a political beat poetry sensibility recalling the trailblazing works of Gil Scott-Heron/The Last Poets. The thing that seems different is the violence in the air, or the decades of music that have come between. Since The Last Poets we’ve had punk, hardcore, thrash, riot grrrl, and gangster rap and that all matters here, as even if we don’t touch them sonically, their anger simmers in the boil next to these arrangements. It produces a stew that even when it’s as cool and detached as jazz can be, there seems to also be a siren in the room, a fevered burst ready to spring. It makes the record taut and uneasy, even if we listen knowing their isn’t a false misstep anywhere. Here come the assassins, and they’re checking their lists. Continue reading
Part 1, covering selections 50-31 can be viewed here. Part 3, cover selections 15-1 can be viewed here.
Chuck Prophet – Bobby Fuller Died for Your Sins
For years in the early 1980s Chuck Prophet half fronted one of the greatest American bands most people don’t know, Green on Red. Their delicious blending of rural American styles and punkish wit set them within avenues that many more famous contemporaries have now become millionaires within (REM, Wilco, etc). But as is said for many originators, it was lonely at the top of inspiration hill, and thus they remain largely unknown. Once Chuck Prophet went solo, his records slowed down, he’d be most easily characterized as an American Graham Parker or Nick Lowe, but while they’ve decidedly softened as they’ve aged, Prophet’s razor lines remain brimming with a bloodlust he had in his youth. Plus, some of the stuff still absolutely screams, I can’t think of a more signature riff this year than the one that forms ‘Your Skin’ here. Continue reading
Every time I’ve attempted a top 50 records for a calendar year I’ve settled on an ordered 50-6 and then an unranked top 5, which each of those five nearly interchangeable. It’s a format I like, especially for music, where a selected favorite on any given day is usually at the behest of an emotional temperament or desired mood. This year, for a litany of reasons, I decided to set out to explore streaming services and artist friendly commerce sites more (like bandcamp and soundcloud) in an attempt to better track the artist expression of our many resistances and scattered undergrounds that the fallout from 2016 birthed like an army of determined ants set to ‘spur’n. With these avenues tackled weekly throughout 2017 alongside my usual, more mainstream, dives, I saw my number of favorites triple. So instead with this years list you’ll notice a three tiered system, each producing masterpieces by the bushel, but with an attempt by my oversaturated mind to attempt something akin to organization. The first post will be the third tier, roughly albums 50-31 unordered, then the second post will have tier two (30-16; also unordered) and the last post the unordered top 15 in place of the normal top 5. Scouring amounted in helping me hear three times the masterworks and personal favorites I usually do. That, or our artistic resistance is indeed healthy. Assuredly both I’d think.
(With this being said, my list still overwhelming bares my main rock n’ roll predispositions and obsessions, the raison d’être for the entire form in my eyes: the interplay between a loud guitar [or 2], a loud bass [or 2], and a cracking drummer) Continue reading